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Women and Art in Early Modern Europe Patrons Collectors and Connoisseurs

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you lot've ever taken an fine art history class or spent time in a fine arts museum, chances are you know a lot about the men who "divers" their mediums. As with other subjects, most of what nosotros acquire about art history today still centers on white men from Europe and, later, the U.s.a.. In reality, there are and so many more artists of all genders to learn from and appreciate.

Here, nosotros're specifically taking a wait at simply some of the women who accept had lasting impacts on their art forms. From some of the fine art world's virtually iconic pioneers to its most unsung heroes, these women artists all had a paw — and, in some cases, yet have a hand — in changing the world of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Movie Stills (1977–80). serial. Photos Courtesy: Museum of Mod Art (MoMA)

Lensman Cindy Sherman was function of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Film Stills (1977–eighty) — self-portraits in which Sherman "posed in the guises of various generic female film characters, amongst them, ingénue, working girl, vamp, and alone housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media'southward influence over our individual and commonage identities.

Yoko Ono

A all the same from the performance Cut Piece, 1964, and a picture of the installation Half-A-Room, 1967, equally seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

Y'all might first think of Yoko Ono as a musician and activist, but she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cutting Piece, was a performance she first staged in Japan; Ono sat on stage in a nice suit and placed scissors in front end of her, and, in an human activity of daring vulnerability, invited audience members to come on stage and cut away pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't practise it, I start to asphyxiate."

Betye Saar

Betye Saar's Black Girl'due south Window, 1969 (full and particular). Photos Courtesy: Museum of Modernistic Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was office of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the pull a fast one on is to seduce the viewer," Saar has said. "If you tin get the viewer to look at a work of art, then yous might be able to give them some sort of message."

Frida Kahlo

People expect at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology'southward rare to observe someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like decease and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded every bit one of the nearly influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, merely she'due south also known for her hyper-existent sculptures, polka dots, installations, and so much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which apply mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's piece of work — and her signature grayscale skin tones — as she was the first Black adult female to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you probable associate Georgia O'Keeffe with her paintings of New Mexico'south landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York Metropolis. In the 1920s, she was the get-go adult female painter to gain the respect of the New York art earth, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for all-time artist in Okwui Enwezor's biennial exhibition All the Earth'southward Futures, office of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question social club, identity, and racial politics by demanding the audience to face up truths nearly themselves. She often challenged people on the streets of New York to guess her race, socio-economic grade, and gender — all while dressed every bit a Black man with a simulated mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in forepart of a photograph in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat'due south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertisement billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human action every bit meditations on various concepts, such every bit trauma, noesis, and hope. One of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness effectually the prejudice, violence, and attempted erasure of Ethnic North American culture. In 2005, she was the offset Indigenous woman to correspond Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider to a higher place — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Sense of taste Outside of Dear, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past popular civilization and pop art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was i of the major figures inside the early Feminist Fine art movement. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and civilization — in the 1970s and earlier. While at California Land Academy in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Savage

Augusta Brutal with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Blackness folks, Savage founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the starting time Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Mod Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "torso art". (Just wait up her most famous piece of work, Interior Curl, and you'll see what we mean.) She used her body to examine women'due south sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin'due south piece of work challenges traditional power relations. In addition to documenting New York Urban center's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to yous? Well, that's the thought! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of large-proper noun artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's terminal public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War 2.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November eight, 2007 in New York Metropolis. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of 9. She uses her photography to examine social norms, and, in doing then, displays various subcultures in formal portraits — but in a style that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Dominicus) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Impact Honour at the Indiecade Festival in 2020 and the Creative Honour from the Gender Justice League in 2016. She believes educational activity is the path to liberation and uses VR and art to address global bug such equally racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Fine art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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